It’s Friday. I’m still sore and north of 275 pounds. Still, any day I manage to stay out of Jackson’s is a good day.
Hot damn tamale Mephistopheles! It’s April Fool’s Day! I suppose this means y’all are expecting me to base today’s post on some absurd, blatantly false declaration then cry, “APRIL FOOL’S!” Well, I did consider it.
Claim to have an epiphany and pledge to channel the spirit of the undead Jerry Falwell? Nah ….
Become the world’s most annoying Buddhist monk? Nah ….
Announce the end of SB to write at RedState instead? Nah ….
Tout a diet consisting exclusively of carrots, celery and Pabst Blue Ribbon? Nah ….
Oh, hell no.
Image credit: Chasqui
Then it occurred to me. Last night on Facebook I announced my intention to record an EP for download. I’m very seriously considering this. I mean, seriously ….
Friends, I’m happy to announce I’m going into the studio to record my first EP, Taxil and the White Noise. It’ll feature a cover of Allais’ Funeral March for the Obsequies of a Deaf Man, La Double Vie de Théophraste Longuet as inspired by Leroux, the eponymous original composition, and Cage’s masterpiece 4’33”, which was voted one of the most important American musical works of the 20th Century. Look for it soon!
The key to a lasting presence on the Internet is going multimedia as soon as you can. SB regularly gets 50 hits a day now. That may not sound like much, but given that this blog was started less than two months ago with an advertising budget of absolute zero, I happen to think it’s pretty damn good. Hell, those guys from Smosh recently put out an album. If two kids from northern California can make it big by using pink sprinkled donuts and churros as props, then I can become famous too, dammit!
As you may recall, a few days ago I mentioned John Cage’s 4’33”. A groundbreaking work like that is exactly what I need to give this EP some serious gravitas. No less than Frank freakin’ Zappa covered 4’33”, man. I understand it’s pretty easy to play, and that it can be recorded on a shoestring budget. This is a good thing given my limited musical skills and financial resources. Just gotta get the timing down, or something ….
The concept doesn’t need cheesy production, or Auto-Tune, or anything. I’m golden.
Image credit: Kenal
Last night I composed the title track, Taxil and the White Noise, on a state-of-the-art Walgreens Model 890-WGN cool moisture humidifier. The 890-WGN is a frequently overlooked instrument, which I think really makes the piece pop. You’re gonna love it.
So no, I’m not yelling, “APRIL FOOL’S!” I want to make this happen. More details are sure to follow.