It’s Friday. I’m still sore and north of 275 pounds. Still, any day I manage to stay out of Jackson’s is a good day.
Like many of you, my music collection began on the venerable Compact Cassette format. While I’m somewhat ashamed to say the first tape I bought on my own was *cough* Thriller, the second proved to be a much more dignified choice.
1984 wasn’t so bad after all.
Although I remember when computers came with cassette tape players, the format doesn’t exactly lend itself to multimedia excellence. I haven’t had a tape player for years, so they’ve just sat there moldering.
A couple days ago I regaled you with my thoughts on 1980s TV. I suppose it’s only fitting I make a few comments about 1980s pop music as well.
My fascination with music can be traced directly back to 15 July 1984, my 11th birthday. As a gift I received a small “boom box.” This in turn led me to an obsession with the weekly Top 40 show as hosted by Casey Kasem and later Rick Dees. It aired on at 4 pm on Sundays on the local Top 40 FM station, and I often taped the whole frickin’ thing.
There’s no cheese like the Dees.
Image credit: lax.hyundai
I freely admit I liked a lot of the stuff they played on Top 40 radio back then. Still do. However, as time wore on I increasingly came across songs I didn’t like. That’s to be expected, of course. Even so, there were some tracks I found so loathsome that just a few notes would compel me to turn the radio OFF until the offending audio went away.
The following are some of the worst offenders.
At roughly the same time I embraced the Top 40, a Minneapolis-based singer/songwriter named Prince Rogers Nelson released a film called Purple Rain, along with a soundtrack album of the same name. For approximately the next three years, Western civilization wouldn’t shut up about the guy. At certain times Prince seemed to be more overexposed than the King of 80s Cheese himself, Michael Jackson.
I’d post a YouTube clip, but he’d probably have it taken down before I hit the “Publish” button.
Image credit: Yves Lorson
Why I hated it then: When I was 11 years old there were two things in this world I absolutely despised: Cabbage Patch Kids and Prince. There was no single reason for my loathing of the diminutive Minnesotan, but it probably had to do with his eyeliner, his ruffled shirts, a bouffant which put Kim Jong-il’s to shame, his repeated dissings of Weird Al Yankovic, and the fact he seemed to be everywhere for a very long time. Whatever it was, I couldn’t stand the guy.
One Christmas during this period there was a present for me under the tree which was clearly in a cassette tape box. For several days I feared some well-meaning but profoundly uninformed grownup bought me Purple Rain. As it turns out, it was The Best of Spike Jones. My sense of relief was enormous.
Possibly the only time in recorded history anyone was so relieved to receive a Spike Jones album.
What I think of it now: My view of Prince has moderated considerably over the years. He’s an undisputed musical genius, and I have to to admit even today “When Doves Cry” is a hell of a dance track. Nevertheless, I still haven’t seen Purple Rain (or any of his other movies, for that matter).
If there ever was a song written specifically to be played at wedding receptions, this 1987 track is it. Apologies in advance if this is “your” song.
Perhaps the best-known single by this upstate New York R&B group, “Always” is four solid minutes of the most concentrated shlocky sweet cheese produced to date. Repeated exposure to this track is bound to cause hyperglycemia in just about anyone. Consider yourselves warned.
Atlantic Starr was responsible for many, many awkward high school slow dances.
Why I hated it then: This sort of thing is exactly what a sexually confused 13-year-old boy DOESN’T want to hear, especially in heavy rotation. Sweet YHWH this was a painful experience.
What I think of it now: OK, OK, they were a talented group and it’s crystal clear why newlyweds gravitated to them. Still, if I ever get married again I’d much rather hear Public Enemy’s “Bring the Noise” at my reception.
In 1986, someone at the Top 40 station in the 2T must have really, REALLY liked Mr. Mister, as they tortured the whole of south-central Idaho for months with these guys. Overplayed doesn’t begin to cover it.
Remember styling mousse? They do.
Why I hated it then: If it weren’t for the excessive overplay, Mr. Mister would have likely merited little more than a footnote in my memory. But once the damage was done, there was no holding my rage back.
What I think of it now: I still don’t miss it.
If you’ve never heard of this one-hit wonder or their reputed “hit,” you’re forgiven. “Hippychick” was released in 1990, did its requisite tour of the Top 40, and then was quickly forgotten. Or at least I wish it was.
In 1996, some years after I swore off the Top 40 (more on that in a moment), I was a regular listener of an “alternative” radio station out of the Sun Valley area called KSKI. At the time KSKI was an independent, free-wheeling station which wasn’t afraid to play good music, even after an infamous incident involving “special brownies” among the morning drive crew.
Good music, with the glaring exception of “Hippychick.”
Why I hated it then: This song is essentially a clumsy sample of Johnny Marr’s iconic guitar riff from “How Soon is Now?” followed by a crappy dance tune. That alone is bad enough. What really set me off is that it was broadcast on KSKI, a station one could reasonably expect to actually play The Smiths. But instead of Morrissey’s plaintive wailing, you were presented with this. Gotcha! I wouldn’t be surprised if this turned out to be KSKI’s idea of a practical joke. If so, I sure as hell didn’t find it funny.
What I think of it now: No wonder why Queen fans hate Vanilla Ice.
When The Simpsons premiered in December 1989 it was a big deal. I liked it. Possibly you liked it. In any event, it’s a TV show that’s still in first-run prime time nearly a quarter century later. It’s clearly a groundbreaking series.
Which is why we can almost forgive them for dropping the festering turd known as The Simpsons Sing the Blues on us a year later. “Do the Bartman” was the lead single.
I don’t care if he’s dead. I still want to bitchslap Michael Jackson for writing this.
Why I hated it then: Although by the time “Do the Bartman” came out I had given up on pop music (again, more on that in a moment), my hatred for it was nearly automatic. Unlike Mr. Mister, it didn’t need to be overplayed. Being the most ham-handed attempt to cash in on a fad since the advent of The Archies a generation earlier, there were plenty of other good reasons to despise it.
What I think of it now: Yeah, it still makes me want to go out and break stuff.
Oh my, this is the granddaddy of them all. Not only did this track elicit an immediate, visceral response, it also triggered a significant watershed moment in my life. For a variety of reasons, including some of the aforementioned songs, by the time the Biz hit the radio in late 1989 I was already quite disgruntled with the whole pop music thing. Then one fine day I was presented with this:
Why I hated it then: As I recall my initial reaction was something to the effect of, “ARE YOU FUCKING KIDDING ME!?!?!?” Don’t get me wrong, I like old-school rap. At this point I was the proud owner of Run-DMC and Public Enemy albums. But this … this made Sir Mix-a-Lot’s “Baby Got Back” sound like Sgt. Pepper.
It was at that moment I shut off the radio and resolved never to willingly listen to a Top 40 station ever again. Over 20 years later I continue to make good on that promise. Not long after I started discovering the good stuff, including Living Colour, R.E.M., The Police, Jane’s Addiction, The Dead Milkmen, Erasure, the Pixies and – of course – Rush.
What I think of it now: In all seriousness, I think today is the very first time I managed to listen to “Just a Friend” the whole way through. In an odd way, I’m almost thankful to Biz Markie for delivering the coup de grâce to my Top 40 habit.
Damn, I feel dirty now. I think I need to take a shower and listen to Permanent Waves for awhile.